Trading post cards for boarding passes

For Thanksgiving this year, I ate no turkey and watched no American football. There were no pumpkin pies cooling in my kitchen, no traditional Quaker hymns sung across generations. I did receive a gift beyond worth when my parents and brother came to visit for a week. We spent our time together in Tuscany, mostly in Florence with a day-trip to Siena. We rambled and ambled, wined and dined, raptured at art and city and captured moments on film. To avoid gluttony of reading and writing, I will try to describe the vacation in installments. Hey, it worked for Dickens and Matthiessen, right?

The Uffizi. A grand palace with an overwhelming collection of art. Countless Adoration of the Magi; innumerable Madonnas, including Madonna of the Pomegranate, the Long-necked Madonna, and a dark 15th century portrait that reminds me now of Munch, found by museum representatives at a flea market in Milan in 2002. I learned about the martyrdoms of various saints: Sebastian killed by arrows, Florian thrown from a bridge with a millstone chained to his neck. Many of the Masters are there: Caravaggio, Botticelli, Raphael, da Vinci, Michelangelo, Giotto, Titian, Dürer... Having now traveled a bit in Italy, I recognize its plants, architecture, and landforms in Renaissance art: who knew that Bethlehem looked just like the Tuscan countryside? At night, the city sparkles along the river and the dome of the cathedral still boggles the mind despite the shadows.

The Accademia. We lucked out and, with the combination of a slower tourist season and an afternoon rainstorm, walked right in without waiting in line. The pen-and-marker graffiti along the wall lining the sidewalk attest to the expectant purgatory of visitors past. The small museum has one room of amazing paintings and another exhibition area of musical instruments from the Medieval and Renaissance periods. However, the gallery’s main attraction is Michelangelo’s David, and rightly so. A few unfinished sculptures precede the David and show some of Michelangelo’s process and genius. The 17-foot tall David is... Giorgio Vasari, Michelangelo's contemporary and biographer, said: "Whoever has seen this work need not trouble to see any other work executed in sculpture, either in our own or other times, by no matter what craftsman." The stone seems more alive than some people I’ve known. I had to remind myself of optical illusions when I saw his chest swell with breath. With tired feet and a curious mind, I was happy to sit and stare for a long time. To think that Michelangelo completed the sculpture by the time he was thirty...

Dancing in the dark

Last night I went to church. There were over 11,000 congregants, eight deacons, and one high priest. By the end of the service, I could have spoken in tongues. If I still had my voice. Bruce Springsteen and the E Street Band tore through Milan’s Datch Forum like a steam train running full-head downhill and I willingly went along for the ride.

[photo source: popmatters]

Until last night, I had never seen Bruce Springsteen live. When the show went on sale back in September, my friend David and I tried in vain to buy tickets. Hope does spring eternal - through a series of fortuitous turns, we found ourselves grinning like fools walking onto the floor of the Datch Forum for last night’s show.

I have heard from friends and read reviews of Springsteen's legendary energy. Backed by a drummer, two keyboardists, a violin/fiddle/guitarist/vocalist, a bassist, two vocalists/guitarists, and one mean saxophone player, Bruce lived up to his reputation. Most of the songs were from their new album, Magic, which I have not yet heard. I could not sing along, but as with attending mass in Latin or other unknown languages, I could still participate in the rites and rituals, feel the reverence. The concert was 2 ½ hours of chanting and shaking and hand waving and singing. Without rest, even between songs – a quick drum change from cymbal and high hat to kick bass snare overdrive – in the few moments of transition while the band wrapped up the previous song, Bruce would douse himself with a carwash sponge soaking in a bucket by the drummer’s feet, shake his head snorting like a horse at the gate, and charge 1 2 3 4 into the next song’s beat over the decrescendo of force. Centrifugal and centripetal.

Some will scoff and say dismissive things of Bruce. Others will bristle at the comparison of a rock concert to a religious experience. What I know is this: never have I seen a band and crowd so earnestly, unselfconsciously in sync about the joy of music. I have drunk the Kool-Aid.

A rose by any other name

The magpie is back, outside my window, walking with exaggerated strides and short hops. From the spotty lawn, she pulls seeds? worms? Her black head and shoulders look like an executioner’s hood and the flash of blue on her wings is captivating.

Back home, I am so-so with flora and fauna identification, an area I would like to improve. I felt most knowledgeable in the montane zone of Colorado where I worked for a few seasons, though the relative symplicity of the ecosystem there made it easier to learn than the crowded temperate forests of southern New England.

Here in northern Italy, I’m most often unknowing when it comes to the natural world. I have plenty of opportunities to see plants and animals that invite investigation, especially on my runs out along the Via dei Mulini, about which I have written before. Long elegant herons are justifiably skittish and leave off whenever I approach within 100 meters. Nutria, large riparian rats, are hunted systematically by farmers during the fall, after the corn and hay have all been take in; an invasive species, they are unwelcome and left dead on the sides of the road. During this season, I have also seen the men wandering the fields, usually with baskets and dogs, searching for mushrooms.

The European magpie I knew by name. It was not the bird baked into a pie, though that “Sing a Song of Sixpence” nursery rhyme, like many others, has an interesting back story – this one with pirates! Arrrr! The magpie, as I found in my research, is common throughout European folklore and is often associated with unhappiness and trouble. Occhio!

The list of plants and animals to look into grows. I will never be the Thoreau, Abbey, or Muir of Codogno, but perhaps I can take part in the ancient practice of naming the world around us.

A poem on names and the light inside the named.

34. ‘As kingfishers catch fire, dragonflies dráw fláme’
by Gerard Manley Hopkins, SJ

As kingfishers catch fire, dragonflies dráw fláme;
As tumbled over rim in roundy wells
Stones ring; like each tucked string tells, each hung bell’s
Bow swung finds tongue to fling out broad its name;
Each mortal thing does one thing and the same: 5
Deals out that being indoors each one dwells;
Selves—goes itself; myself it speaks and spells,
Crying Whát I do is me: for that I came.

Í say móre: the just man justices;
Kéeps gráce: thát keeps all his goings graces; 10
Acts in God’s eye what in God’s eye he is—
Chríst—for Christ plays in ten thousand places,
Lovely in limbs, and lovely in eyes not his
To the Father through the features of men’s faces.