Mother Nature don't do bailouts

(photo courtesy: http://creative-commons-photo.com/image/61-humpback-whale)

Thomas Friedman asks, in his Op-Ed in today’s New York Times, “What if the crisis of 2008 represents something much more fundamental than a deep recession? What if it’s telling us that the whole growth model we created over the last 50 years is simply unsustainable economically and ecologically and that 2008 was when we hit the wall – when Mother Nature and the market both said: ‘No more.’”

For years, I’ve fed on writers who have shouted similar messages from their pulpits, smaller and less amplified than the New York Times usually but pulpits nonetheless. I have long been a convert to various strains of “Less can be More” credos of consumption, if at times admittedly lapsed in my dedication. Bill McKibben and Wendell Berry before him have long argued for a combination of personal and collective action to counteract prevailing destructive forces of contemporary capitalism; Gary Snyder and Annie Dillard are champions of the wild that is out there and in us; E.B. White examined work, craft, and community; Henry David Thoreau filled reams in an attempt to walk the walk he was talking.

Recently, I’ve sat down with more sobering fare: The World Without Us by Alan Weisman, I Am Legend starring Will Smith to name two. Both ask related questions: How might we push ourselves over the cliff edge? What will the ensuing post-apocalyptic world look like? A related, though ultimately more uplifting movie is the fantastic Whale Rider [If you haven’t yet, see it.]. A subplot that shook me was the story of whales. Whales elude conveyance – by saying that a house is large, blue, and south-facing, have I showed you what kind of home it is? Whales, like the dolphins in A Hitchhiker’s Guide to the Galaxy trilogy, may yet leave. I think I should resume a previous habit of answering, whenever asked, “What animal would you choose to be?,” – a whale.

While I can’t swim like whales, what lessons can I learn from them? Put another way, how can I better walk the walk of a concientious consumer/educator/friend/citizen? What can I do to help restore balance? What am I, what are we doing differently in 2009 that will help us climb up to greater stability, sustainability, and symbiosis? Symbiosis?

Yes -- "sym·bi·o·sis, noun 2. a cooperative, mutually beneficial relationship between two people or groups." To this definition I would add “or systems” – educational, health care, political, financial, energy, industrial, military, transportation, commercial... What systems will we create to ensure that Mother Nature and the market, our families and communities can look back and say, confidently and gracefully: “Never again.”

Exit music for a film, with leather and stone

On today's trip through memories of Florence we visit Santa Croce. This piazza has retained a smaller, older feel than her more famous Fiorentine sisters. Last Sunday's marathon finished there, a thought to keep you going during 42 kilometers of hills and gasping questions. Inside the church are buried a cadre of famous Italians, including giants of literature, art, science, and politics: Dante, Machiavelli, Galileo, Michelangelo... The central door is massive but it was not enough to hold out the flood of 1966 – a plaque on the wall marks the water's high line.

Exploring the church, through the carefully lit scriptorium, out past the stained-glass transept, a visitor can wander into the Leather School and watch masters craft leather into bags, purses, wallets. The reflections from angled mirrors and the orderly collections of worn tools could have kept me mesmerized for hours.

Tucked into a dark cellar just off a spacious courtyard we found a small exhibit dedicated to the printwork of native son Pietro Parigi. Anyone who has read the Catholic Worker will recognize his simple, rustic style. I am fascinated by this art form; some favorites include the California artist Tom Killion and the book The Man Who Planted Trees by Jean Giono.

During two visits to the neighborhood around the church, we heard great street musicians – a trio named Grupo Romm Dracula's that is comprised of stand-up bass, djembe (or its cousin), and a hammered dulcimer, a stringed instrument resting on a stand that is played with small mallets. The members are Romani, or gypsy, and perhaps have brought strains of the Middle East, even India with them to Florence. [On a side note, this minority is currently much maligned here in Italy, as so often in the past in so many places – e.g. the word “gyp,” as in “That market vendor gypped me.” Xenophobia: a topic for another day...]

The music was new yet somehow familiar, like a bite of some untried sweet that carries remembered tastes, spices. Novel madeleines. Watching people walk away down a narrow Fiorentina street, with the lyrical skipping music playing behind me, I felt like a camera recording the closing scene of a movie. I was reminded of the ending of The Third Man; I later confirmed, through conversations with my classic-movie-knowing family and a bit of Internet research, that the score of that great film noir featured a zither, a close relative of the dulcimer. Romani music – yet another rabbit hole to wander down some other day.

Rub a dub dub

Most travelers abroad have their favorite examples of mistranslation they have encountered, either to or from (in my, and probably your, case) English. Signs that warn of unexpected and unlikely dangers (If pulled too hard, toilet will hurricane onto floor.). Stores selling jeans that are the “nitgest level to wear.” A customer who orders breast milk instead of whole milk. And, of course, movie titles given unusual twists.

I learned today that Tremors, that 1990 Kevin Bacon vehicle, is called in German Land Of The Rocket Worms. Don’t ask me how I came upon this information, just know that my source is somewhere on the Interweb and is therefore above reproach. On a related note, I had a friend in college whose brother knew a guy in Brazil who could get you cashews, but that’s another story.

Last night, I had the distinct pleasure of watching the last 20 minutes of Pallottola spuntata 33 1/3 (Dulled Bullet 33 1/3), better known in the English-speaking world as Naked Gun 33⅓: The Final Insult. It was an unusual movie watching experience. I had to stand in one place in the living room, between two drying racks full of clothes, because if I moved the picture went static and the sound went bonkers. I could only understand one out of ten words that Leslie Neilson and the others were saying. [Allegedly, nearly all movies coming into the country are dubbed into Italian. I guess I had better get learning.] Additionally, the cast of Dulled Bullet 33 1/3 - Mary Lou Retton, Weird Al Jankovic, James Earl Jones, Anna Nicole Smith, OJ Simpson, Vanna White, and others - has had a checkered run of it since the movie’s release, adding a rearview mirror peculiarity. But, thankfully slapstick comedy transcends language. As is so often the case, the little things add bouyancy to life, like thousands of ping-pong balls glued to an elephant.